Rabu, 25 April 2012

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Conversations with Scorsese, by Richard Schickel

Now in paperback, and with a new afterword: the history and process of moviemaking in general, and of Martin Scorsese's brilliant and varied films in particular, through the words and wit of the master director.

With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films. He explains his personal style and describes many of the rewarding artistic and personal relationships of his career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio. An invaluable illumination and appreciation of one of our most admired film directors.

  • Sales Rank: #701140 in Books
  • Published on: 2013-01-22
  • Released on: 2013-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.09" h x 1.10" w x 7.35" l, 1.66 pounds
  • Binding: Paperback
  • 448 pages

From Publishers Weekly
In this q&a-format biography, film critic and documentary filmmaker Schickel follows one of America's greatest directors on a journey through his life in cinema. An asthmatic, sickly child, Scor-sese used movies to escape from family tensions and the mean streets of New York's Little Italy. In a career now in its fifth decade, Scorsese has made over 20 feature films (Taxi Driver, Raging Bull, Goodfellas, etc.) as well as numerous documentaries. A cross between a film master class and after-hours jam session, the conversations range from Scorsese's Italian upbringing to Hollywood gossip to obscure silent films. Scorsese and Schickel's long friendship and their encyclopedic film knowledge bring a comfort and complexity to their interaction. Scorsese has always been a fluid raconteur, and Schickel brings out the best in him—not least of all because he's confident enough to disagree with the master. Scorsese's focus on the minutiae of his life and in his movies has given his work universal appeal. Anyone with even a passing interest in Scorsese's career or in film history will find a gem on every page. (Mar.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist
Film-critic Schickel recently sat down with Scorsese for a series of late-night conversations. Stitched together here, they form an illuminating autobiography-cum-film-studies-course from one of the nation�s foremost directors. Scorsese speaks candidly about his childhood in Little Italy and his escape into the movies of the 1950s; his pivotal experiences at the NYU film school and his early student efforts; and, of course, his phenomenal filmmaking career, from his 1967 debut, Who�s That Knocking at My Door, through last year�s Shutter Island. The in-depth treatment provides fascinating insights into Scorsese�s films; even his most obsessed fans will discover new revelations, and hearing him discuss his entire body of work in a single lengthy narrative ties such outliers as The Age of Innocence and Kundun to more-characteristic masterworks like Taxi Driver and Raging Bull. Both Schickel and Scorsese are utterly movie-obsessed, so a significant chunk of the conversation is inevitably devoted to the classic films they both love; for cinephiles, these passages, where two passionate and supremely informed fans articulately chat about the subjects of their fixation, might be the most rewarding part of this fascinating document. --Gordon Flagg

Review

"Blend one great film critic with one great director. Lace with a mutual love of film history and heaping portions of insight, empathy, and fellowship. Richard Schickel’s Conversations with Scorsese is a richly textured and totally engaging triumph."
-Leo Braudy, author of The Hollywood Sign: Fantasy and Reality of an American Icon
 
“I loved it.  It offers all the pleasures of eavesdropping on a riveting and wonderfully entertaining private conversation.”
            -Ron Howard
 
“Conversations with Scorsese is the My Dinner with Andre of movie books . . . only much better. Schickel’s relaxed, but astute questioning has bought out the very best in Scorsese, and generated thoughts and memories from him that have never been published before. The two men are not only having a real conversation but also having fun doing it. This book is a treasure, and anyone who loves Scorsese’s work should own it.”
            -Jeanine Basinger, The Star Machine
 
“What a high for film lovers, this conversation between one of America’s greatest directors and a similarly eminent critic. The two cinephiles bring together Scorsese’s life and career from various perspectives, encompassing the trauma and betrayals of a mean-street childhood, the genesis and on-the-set details of each movie, the films and people that have shaped his directorial personality. Schickel offers insights and criticisms along with empathy and the intimate film knowledge to spark fresh and interesting insights from the king of mavericks in a retrospective mood. Wide-ranging and astute, it’s film school on steroids.”
-Molly Haskell, author of Frankly, My Dear: Gone with the Wind Revisited
 
“Conversations-with-directors books can go one of two ways: Either the directors want to analyze their work, or they don’t. Those who do either obscure the films with trivial esoterica or—as is the case with Martin Scorsese, in Richard Schickel’s Conversations with Scorsese—illuminate their choices with a pragmatic instinct verging on the intimate, as though they were discussing not shots and lenses but their own biography.”
            -Sam Wasson, LA Weekly
 
 “Putting [Martin Scorsese and Richard Schickel] together is a perfect pairing for an epic discourse about the movies . . . Conversations with Scorsese is likely to stand as the definitive source for Scorsese’s views because he is so engaged—and because Schickel knows just the questions to ask . . . Schickel makes no secret that he is a fan and a friend. Still, he challenges the director, presses a point and states outright whether a particular film works for him. He also manages to keep Scorsese on topic without missing an opportunity to explore an interesting tangent. And there are plenty of tangents—just what you would expect in a spirited back-and-forth between two cinephiles at the top of their game.”
            -Douglass K. Daniel, Associated Press
 
“A veritable library of criticism and collected interviews has been published on Martin Scorsese in the last ten years, but none remotely as valuable as this entry . . . The combination of [Schickel’s] insightful questions and Scorsese’s rapid-fire patter and stream-of-consciousness style makes this an educational and entertaining read . . . Both men’s excitement and admiration for the art and history of filmmaking fills every page. This is no shallow series of how and why questions but a true conversation about art and how one individual has endeavored to create it  . . . Readers will be left simply wanting more. Perhaps the definitive piece of self-commentary that will ever be produced about the work of Scorsese.”
            -Starred review, Library Journal
 
“Schickel almost always strikes the right interrogatory note . . . Along the way, Scorsese and Schickel, who are both steeped in film history, share views about dozens of old pictures—their opinionated enthusiasm should lengthen many Netflix queues. Offering a deep look into the aesthetic, technical and commercial realities of filmmaking, Scorsese provides intimate details about the making of his acknowledged masterpieces . . . Scorsese emerges as a fascinating, obsessive, complex guy. He has always seemed the most companionable of film artists, and, except for his own expansive, autobiographically driven documentaries on American and Italian movies, this is the most probing and enjoyable explication of his accomplished career. A feast for cineastes.”
            -Kirkus
 
“A cross between a film master class and after-hours jam session . . . Scorsese and Schickel’s long friendship and their encyclopedic film knowledge bring a comfort and complexity to their interaction. Scorsese has always been a fluid raconteur, and Schickel brings out the best in him . . . Anyone with even a passing interest in Scorsese’s career or in film history will find a gem on every page.”
            -Publishers Weekly
 
“An illuminating autobiography-cum-film-studies-course from one of the nation’s foremost directors . . . The in-depth treatment provides fascinating insights into Scorsese’s films; even his most obsessed fans will discover new revelations, and hearing him discuss his entire body of work in a single lengthy narrative ties such outliers as The Age of Innocence and Kundun to more-characteristic masterworks like Taxi Driver and Raging Bull. Both Schickel and Scorsese are utterly movie-obsessed, so a significant chunk of the conversation is inevitably devoted to the classic films they both love; for cinephiles, these passages, where two passionate and supremely informed fans articulately chat about the subjects of their fixation, might be the most rewarding part of this fascinating document.”
            -Booklist
 
 

Most helpful customer reviews

10 of 10 people found the following review helpful.
Marvelous. Almost Startling.
By S. Lawrence
In our vulgar era, when the word "Celebrity" has been entirely divorced from "Worthy of Being Celebrated", Richard Schickel's Conversations with Scorsese is more than a damn good read; it's a restoration. What's being restored to our Access Hollywood-drenched culture is the notion art comes from inspiration, yes, but also hard work, seriousness of purpose, and intelligence. The line where Scorsese explains why he had to make Mean Streets just grabbed me. That's what art is--taking the truth of someone's life and expressing it, not in a navel-gazing way but as a way to touch upon something universal in the human condition.

Would just also add that Schickel's knowlege of film and filmmaking is right up there with Scorsese's well-know encyclopedic mind. "You know that 1928 film by Joe Blow from Prague?" "Oh, yeah, I loved that film." "The colors in it were amazing." "Yeah, that second act when the green tugboat is going up the gray Danube." "Kind of a silvery gray." "Fantastic." (Completely made-up dialogue to illustrate a point. No extra charge!)

13 of 15 people found the following review helpful.
A Charismatic Way to Write a Book
By Edward S. Brown
Richard Schickel's,"Conversations with Scorsese" is the first book I've ever read where the entire book is in a "Q & A" form equivalent to a long conversation.

There are several nuggets within "Conversations with Scorsese" that can be utilized within any industry.

1. Choose a profession that you have an undying love for and immerse yourself in your craft.

2. Within your vocation, become a historian of the past accomplishments of individuals who helped advance the industry.

3. Use the styles and patterns of past and present practitioners within your industry to lay a strong foundation.

4. Develop and create a body of work that is specific to your experiences.

5. Consistently fight for unadulterated ways of expressing your creativity without compunction.

6. Although you may be passionate about creating a body of work, realize that you are only one piece to a larger puzzle. Your work is built from the producers who came before you. And future generations of creators will build their work on the legacy you leave behind.

7. Be introspective enough to embrace your strengths and weaknesses.

"Conversations with Scorsese" exemplifies a charismatic way of writing a book that is active and engaging. The strength of the book lies in the ability to create a visual, auditory masterpiece using words as a medium. This creativity comes through the actual dialogue rather than the flowery prose found in traditional writing styles.

I highly recommend this book based on the legendary Martin Scorsese as well as a style of writing in step with the visual necessity of contemporary society.

Edward Brown
Core Edge Image & Charisma Institute

5 of 5 people found the following review helpful.
Scorsese in Detail
By Richard Harborough
This book is a must-have for anyone interested in the intricacies of the filmmaking process from inception to script to filming to finally editing and releasing the film. If you've ever wondered what Scorsese's thought about one of his movies, the answer lies herein.

This extremely interesting and insightful book by filmmaker and reviewer Richard Schickel delves into Scorsese's origins to his film Shutter Island, essentially covering everything. The book goes in depth into just everything you could possibly want to know about the man or the films.

This book will hopefully be among the great film books in history, perhaps among such (now) classics as Francois Truffaut's famed interviews with Alfred Hitchcock, the Master of Suspense. If you are a fan of Scorsese and enjoy his films, I urge you to purchase this book. It's worth the price, and it's most definitely worth your time.

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Selasa, 17 April 2012

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Plant Systematics, Second Edition 2nd edition

  • Published on: 1600
  • Binding: Hardcover

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Minggu, 15 April 2012

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You Are Not a Stranger Here: Stories, by Adam Haslett

In his bestselling and lavishly praised first book of stories, Adam Haslett, author of Imagine Me Gone, explores lives that appear shuttered by loss and discovers entire worlds hidden inside them. The impact is at once harrowing and thrilling.

An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

  • Sales Rank: #112802 in Books
  • Published on: 2003-08-12
  • Released on: 2003-08-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.20" l,
  • Binding: Paperback
  • 256 pages

Amazon.com Review
In his debut story collection, You Are Not a Stranger Here, Adam Haslett drags into the light subjects often left in the cellar. Most of his stories are told from the viewpoint of the mentally ill (though one, "The Good Doctor," shows us madness from a caregiver's perspective). The rest of the stories deal with closeted homosexuality: boys who are just learning their identity, men who have never come to terms with it. Haslett is an enormously compassionate writer, and shows a lovely, plain-written acuity about his people. His writing is a convincing inside job--he never romanticizes or oversimplifies. In "The Volunteer," an old woman at a care facility is haunted by the voice of an ancestress named Hester: "For more than two decades, Elizabeth Maynard has done exactly as she is told and the voice of Hester, which has cost her so much, comes only quietly and intermittently. It is a negative sort of achievement, she thinks, to have spent a life warding something off."

Haslett has a gift for writing quietly about sensational topics: men cruising each other in the park at night; an abusive, self-hating relationship between two adolescent boys. The stories can get a bit too fancy: the writer can't resist the ironic twist or the surprise ending. Still, this is a beautifully written collection that's as heartfelt as it is intelligent. --Claire Dederer

From Publishers Weekly
In this affecting debut collection, Yale Law School student Haslett explores the complex phenomena of depression and mental illness, drawing a powerful connection between those who suffer and those who attempt to alleviate that suffering. In "The Good Doctor," Frank, a young M.D., goes out of his way to discover the origin of his patient's illness, only to learn of both her untreatable pain and his own fears and regrets: "The fact was he still felt like a sponge, absorbing the pain of the people he listened to." In "The Beginnings of Grief," suffering becomes a way of healing when a teenager coming to terms with both his homosexuality and his parents' sudden deaths seeks connection wherever he can find it, even in the pain inflicted by a classmate's violence. Often, Haslett convincingly interweaves the perspectives and lives of seemingly disparate individuals. In "The Volunteer," a teenager's awkward incomprehension in the face of his first sexual encounter bizarrely coincides with the breakdown of a schizophrenic woman he visits after school. Not all of the stories are charged with this kind of emotional complexity, however, and some tend toward the sentimental, as does "The Storyteller," in which the clinically depressed Paul, who feels himself to be nothing but a burden to his wife, Ellen, rediscovers his vitality in a chance encounter with an elderly woman and her dying son. Though the thematic similarity of many of the stories dulls their startling initial impact, this is a strikingly assured first effort.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Those setting collection policy in public libraries are often forced to base their decisions on genre alone and will buy a detective novel, for instance, at the expense of a collection of short stories, especially one by a first-time author. Haslett's debut shows what is wrong with this approach. Courageous and compelling as any in today's fiction, the despairing characters in these nine stories are all related to someone who has left or will leave them, usually owing to mental illness. In "Divination," for instance, a sensitive boy reflects on the precise moment when he became alienated from his family. In "Notes to My Biographer," the narrator, in a burst of manic impulsion, decides to visit a son he has not seen in years. His irascible sense of humor propels the story until we learn that his son treats his inherited disease with medication that the father won't ingest; reconciliation is only possible if the son stops taking his. Such uncompromising and realistic representations of depression and its symptoms are commendable. Too often, the sufferers' loved ones are depicted with lugubrious sobbing, but the narratives move forward with few detours, and readers will turn the pages accordingly. Strongly recommended for mid- and large-sized public libraries and academic literary collections. Edward Keane, Long Island Univ. Lib., Brooklyn, NY
Copyright 2002 Cahners Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A brilliat debut collection of stories from a new American master
By Bruce Payne
This collection of stories was Adam Haslett's debut - and was a National Book Award and Pulitzer Prize finalist. Haslett's novel, IMAGINE ME GONE, is one of the best three books of I have read this year. This is also in that top three. (The third is Bryan Stevenson's JUST MERCY.)

The stories are a stunning array of damaged people, unlike any I have read before. An orphaned teenage boy engages the school bully in an erotic pas-de-deux of anger and self-loathing. An elderly woman from a prominent family, long institutionalized, befriends an unhappy high school student, bringing warmth to both their tattered lives. An unmarried brother and sister share their family's oppressive house, and their intertwined romantic failures, eating dinner while their hopes erode.

In each tale, Haslett's virtuoso writing brings vivid life to these unhappy people, and the odd measures that they take to get by from day to day.

Reading this on the train, I was utterly unaware that we had reached our destination until the conductor gently drew my attention. Thank heavens we live at the end of the line, or I would have completely missed my station! These stories are utterly absorbing, capitivating jewels with facets of dread and loneliness and even a bit of hope.

Adam Haslett is a contemporary American master. I do not say such things lightly.

1 of 2 people found the following review helpful.
The Very Best Short Stories
By Foster Corbin
I read this book of short stories last fall and am still amazed at how good they are. I have read "The Good Doctor" three times. It is as good a short story as I have ever read. The writer manages to say more in about 20 pages than many modern fiction writers say in hundreds of pages if ever. In this somber, heartwrenching story, a hung-over young doctor from a county clinic visits a patient out on the prairie, a forty-four-year-old woman suffering from depression. Neither the young doctor nor the reader is ready for what he discovers. I literally gasped out loud when I discovered how this woman lost all her fingers on one hand. Reading this story was a first for me. I do not believe any short story (only a few novels) had ever made me weep. This story did. So much going on here. The young doctor tries so hard, but we have to ask just how "good" he is. Many of us have had the sad experience of having a "professional" not listening to us.
When I finished wonderful book, I had to ask: why on earth is this writer attending law school? Surely the world doesn't need another lawyer. We will never have too many fine writers!

1 of 3 people found the following review helpful.
Almost 5 stars...
By P. Meltzer
For readers like myself who make a dligent effort to finish any book they begin, a collection of short stories is always a scary proposition because if you don't like the first few, chances are you won't like any of them. By contrast, a full-blown novel can start out weak and get stronger. In the case of this collection, I'm happy to say that I thought the stories were mostly excellent. In fact I would have given it five stars, except that I felt that the last third of the stories were not quite up to the quality of the first two-thirds. I note that there were 4 themes that ran through these stories and most of the stories included at least 2 of the themes if not more. They are, in no particular order: 1. Homosexuality--3 stories. 2. Mental problems--5 stories. 3. Depression--5 stories. 4. Believing oneself or another to be near death, whether or not in reality--4 stories. The mental illness and depression themes are related but not identical, because in several stories the characters have one quality but not the other. I realize that this gives the impression of the stories being relentlessly downbeat, but I do not mean to suggest that it is depressing to read the stories. As some have noted before me, the stories do linger in your mind long after you have finished them and reading the collection itself is not a depressing experience. I also like the way that many of the stories had what I would consider to be "small surprise" endings, not in the sense of happily ever afters or a shocking twist, but just something to make to think about the story a little longer.

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Small Animal Dermatology: A Color Atlas and Therapeutic Guide, 4e, by Keith A. Hnilica DVM  MS  DACVD  MBA, Adam P. Patterson DVM

Streamlined for practical, everyday use in the clinic, Small Animal Dermatology: A Color Atlas and Therapeutic Guide, 4th Edition provides concise, thorough information on more than 250 skin diseases affecting small animals. More than 1,400 high-quality images help to ensure accurate diagnoses, with coverage including recognizable clinical signs, top differentials, diagnostic tests, treatment recommendations, and prognosis for each disorder. The differential diagnosis chapter adds clarity to the difficult task busy students and practitioners face every day – identifying what dermatologic condition is causing a dog, cat, or exotic animal to suffer. Chapters list diseases based upon the frequency of their occurrence in the pet population, and detailed procedures include helpful illustrations of key techniques.

  • Well-organized, concise, yet comprehensive, coverage of over 250 skin diseases in dogs, cats, birds, and exotic pets like rabbits, ferrets, hamsters, guinea pigs, gerbils, chinchillas, turtles, snakes, and lizards allows for quick and easy reference.
  • Comprehensive drug appendices highlight information about dosage, adverse reactions, indications, and contraindications for antimicrobial, antiseborrheic, and antipruritic shampoo therapy, topical, otic, and systemic therapeutic drugs.
  • Detailed procedures include helpful illustrations of key techniques.
  • Thoroughly covers each disorder with recognizable clinical signs, top differentials, diagnostic tests, treatment recommendations, and prognoses.
  • More than 1,450 vivid, full-color images in atlas format clearly demonstrate clinical appearance of skin lesions to facilitate accurate diagnosis and treatment.
  • An atlas of before- and after-treatment images provides you with a compelling client communication tool to promote treatment acceptance and compliance.
  • Emphasizes important information on the continuing emergence of zoonotic skin diseases in each chapter.
  • UPDATED! Enhanced breed predisposition information demonstrates in which dogs and cats dermatologic conditions are more likely to occur.
  • NEW! Pattern approach dermatology content describes (with topographical images) where on the body, and in what formations, common dermatologic diseases exhibit.
  • NEW! Updated key charts and tables, including: diseases affecting particular body regions, classification of common diseases by age of onset, and classification of symmetrically distributed disease from asymmetric disease.
  • EXPANDED! Enhanced coverage of MRStaph and zoonotic and contagious skin diseases so you stay in the know.
  • FNEW! Additional content on how cats may present with allergic skin disease shows you how to properly diagnose feline
  • NEW! Hundreds of new, high-quality images showcase better examples of conditions discussed in the text.
  • UPDATED! Two thoroughly revised chapters include the most up-to-date information on differential diagnoses, algorithms, and diagnostic techniques.
  • NEW! Co-authored by a recognized consulting dermatologist, Dr. Adam P. Patterson, making this an authoritative resource for the diagnosis of skin disease in small animals.
  • NEW! Addition of bulleted content within each disease description informs you of specific indications of when it is necessary to culture and biopsy skin.
  • UPDATED! The latest coverage on select diseases throughout, such as SLIT and Apoquel.
  • NEW! Updated cutaneous lesions content with accompanying clarifying images explain what they mean and look like.
  • UPDATED! Pyoderma content described based on the depth of disease, corresponding lesions, diagnostic/treatment plan, and common clinical entities of pyoderma fitting the depth of disease.

  • Sales Rank: #106195 in Books
  • Published on: 2016-10-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.10" w x 8.60" l, .0 pounds
  • Binding: Hardcover
  • 652 pages

Most helpful customer reviews

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It is a great book and fun to read
By ME2
The way Amazon denotes which edition something is, is with a small 'e.' To me, that meant either electron or internet edition. So, I bought it.
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  • Sales Rank: #67250 in Audible
  • Published on: 2013-07-08
  • Format: Original recording
  • Original language: English
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