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‘And painful pleasure turns to pleasing pain.’ (Edmund Spenser)

'Scorching hot.' (USA Amazon) 'Far from the run-of-the-mill femdom story.' (USA Amazon)

Part One of the sequel to 'A New Devotion'. Now also available as the complete novel 'An Obedient Husband.'

Catherine has made her husband into her slave, and won the freedom to live as she likes, but James can see no escape from his servitude - 'The woman who used to be his loyal wife and eager lover was now an imperious goddess, her cruelty and indifference to him a torment which he craved with the hunger of an addict.'

An erotic romance of pain and pleasure, and the evolution of a femdom marriage.

10000 words. BDSM/Femdom/Erotica. Adults only.

Also by Molly Sands - 'Cruel Heaven', 'The Devlin Woman', 'A New Devotion,' Magda'.

• Sales Rank: #578186 in eBooks
• Published on: 2015-07-31
• Released on: 2015-07-31
• Format: Kindle eBook

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3 of 3 people found the following review helpful.
scorching hot scenes full of dramatic tension...
By Larry
This is a good continuance of "A New Devotion," which should be read first to understand the characters. There's a strong and likable female lead who manages to be self-serving and sadistic without alienating her loving husband - or this reader. This is highly erotic story-telling, rich with imagery, and the author manages to create scorching hot scenes full of dramatic tension, both in story elements and in the characters' stimulated imaginations. Love it. I look forward to Part Two, and I hope when finished, the complete story is made available in one volume.

1 of 1 people found the following review helpful.
Strong addition to the series ‘A new devotion’
By MaleReader
This is a remarkably well thought out addition to the ‘A new devotion’ series. Go read the first installments before reading this one in order to fully experience it. As with any stories from Molly Sands, it is well written, edited, introspective and erotically charged. It is far from being the run of the mill femdom story. This one deals mostly with cuckolding and age play.

0 of 0 people found the following review helpful.
I loved about the first 2/3 of this story but the ...
By megawatt.mitch
I loved about the first 2/3 of this story but the excitement seemed to fizzle nearing the end. I was like, "that's it?" Maybe part 2 will pick up intensity however I am leery of another long, drawn out no-sense ending

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• Sales Rank: #3393613 in Books
• Published on: 2011-09-02
• Original language: Spanish
• Number of items: 1
• Dimensions: 10.98" h x .24" w x 8.54" l,
• Binding: Paperback

About the Author
Patrick Jackson spent a year in Japan where he began teaching children and creating EFL materials.

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By working through a variety of drills, analyses, and exercises, students learn how harmony functions within a large-scale melodic organization and develop the tools they need to analyze and understand the concepts behind a wide range of music.

Written exercises―The Second Edition includes new exercises for each chapter that reflect changes in the text, in particular changes in the chapters on fundamentals and diatonic harmony.  Exercises require students to fill in short harmonic progressions, complete sequential patterns, realize figured basses, harmonize melodies, analyze excerpts from music literature, and compose original music.

Keyboard exercises―Professor Gauldin’s keyboard exercises help students make the transition from theory to ear training and performance.  Students learn to hear various intervals, chords, and harmonic progressions and to master transposition, figured bass, and melody harmonization.  All keyboard exercises have been collected in a separate section at the end of the text.

• Sales Rank: #152223 in Books
• Published on: 2004-03-09
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x 1.10" w x 8.50" l, 2.43 pounds
• Binding: Paperback
• 460 pages

About the Author
Robert Gauldin, professor of music theory at the Eastman School of Music, is the author of A Practical Approach to Sixteenth-Century Counterpoint and A Practical Approach to Eighteenth-Century Counterpoint.  He has contributed to many scholarly journals, including Music Theory Spectrum and the Journal of Music Theory Pedagogy, and served as president of the Society for Music Theory from 1992–1993.

Most helpful customer reviews

0 of 1 people found the following review helpful.
Its ok
By JC
Theory comes hard for me and so this book was ok for me. Some people are buying this book thinking its the textbook, it's not. This is the handbook to help.

0 of 1 people found the following review helpful.
good quality.
By Kindle Customer
Received first of June 2016 with thanks. On first inspection, good quality.

0 of 2 people found the following review helpful.
Too expensive
By Matthew Readdick
Textbooks are way too expensive and mine came used at a high price with writing all over it. But it is a rare book...

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Key Terms in Translation Studies gives a comprehensive overview of the concepts which students of translation studies are likely to encounter during their study, whether at undergraduate or postgraduate level. The book includes definitions of key terms within the discipline, as well as outlines of the work of key thinkers in the field, including Eugene A. Nida, Gideon Toury, Hans J. Vermeer, and Lawrence Venuti. The list of key readings is intended to direct students towards classic articles, as well providing a springboard to further study. Accessibly written, with complicated terms and concepts explained in an easy to understand way, Key Terms in Translation Studies is an essential resource for students.

• Sales Rank: #210419 in Books
• Published on: 2009-06-08
• Released on: 2009-06-08
• Original language: English
• Number of items: 1
• Dimensions: 8.56" h x .68" w x 5.44" l, .75 pounds
• Binding: Paperback
• 222 pages

Review
"This volume is a timely addition to the Translation Studies repertoire, providing a highly accessible guide to the basic concepts of a rapidly evolving area of study, as well as to some key thinkers in the field. Giuseppe Palumbo's 'key terms' will serve as a valuable point of orientation for those new to the discipline as well as for those seeking further guidance in a subject with increasingly porous boundaries." - Professor Margaret Rogers, Centre for Translation Studies, University of Surrey, UK

About the Author
Giuseppe Palumbo is a research fellow in the Department of Studies on Language, Text and Translation, University of Modena and Reggio Emilia, Italy

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Lori Emerson examines how interfaces—from today’s multitouch devices to yesterday’s desktops, from typewriters to Emily Dickinson’s self-bound fascicle volumes—mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.

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• Sales Rank: #856368 in Books
• Published on: 2014-06-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .80" w x 5.50" l, .65 pounds
• Binding: Paperback
• 232 pages

Review
"This is the first book to bridge the fields of media archaeology and literary studies, specifically poetry and poetics. It offers new readings-and sometimes a first reading-of important texts, it performs historical spadework that adds to the existing narratives of how the personal computer has evolved, and it contributes to current critical conversations by making the category of interface central to its explorations of textual materiality." —Matthew G. Kirschenbaum, author of Mechanisms: New Media and the Forensic Imagination

"Emerson’s book is not only fascinating because of the richness of its close-readings or the thought-provoking frictions that it creates between historically, technologically, culturally, ideologically very diverse authors and practices. Its most appealing aspect is the political stance it takes towards its material."—Image (&) Narrative

"Reading Writing Interfaces draws our attention back to the materiality of digital languages, reveals the underlying processes of writing, and makes visible the interfaces through which we read/write our world."—The Literary Platform

"A useful contribution to the understanding of the digital."—CHOICE

"With cogent analyses of both analogue and digital literature, Emerson renders legible the historical and contemporary instantiations of the interface that have been masked from the user by the sleek celebratory language of marketing."—Jacket2

"This works succeeds in accomplishing the rare goal of being pioneering and engaging."—International Journal of Communication

About the Author

Lori Emerson is assistant professor of English, as well as the founder and director of the Media Archaeology Lab at the University of Colorado at Boulder.

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